Chinese taste "filled" with regret acclaimed Venice Biennale

BEIJING, Beijing, June 25 (Tao Yu Zhou) large flowers white clouds floating in the green grass, emitting a plume of fresh tea; freehand ink lotus in full bloom at the historic depot, with the audience in the summer heat to trace cool; mist shrouded in more than 6000 cubic meters of space, accompanied by sandalwood, just like Penglai fairyland ... in the 54th Venice Biennale International Art since its opening 21 days in order to "diffuse" as the theme The China Pavilion has attracted the attention of countless viewers.

25, China Pavilion curator Feng Peng in Beijing to bring some of the participating artists will meet at the domestic media, about their experiences during the exhibition in Venice of the story.

Peng Feng introduced, this Biennial's theme is "inspiration" and stressed the role of light in art, and this corresponds to the China Pavilion's theme is "filled" not only more profound interpretation of the complex relationship between the current world, but also more in line with Chinese culture and aesthetic connotations, is a typical Chinese-style expression.

The China Pavilion exhibition with Philip P. Pan, Yang Maoyuan, Cai Zhisong, the original bow, far-wei and Liang five artists participating, they were in charge, drugs, tea, incense, wine, five kinds of odor as the theme, creating a "melting snow lotus" "device", "clouds", "empty incense" and "I ask: Rain" five works of art, so that five kinds of taste everywhere filled the air, in general, to create a wonderful sensory world.

Peng Feng said China Pavilion at the Biennale, although this was not the Golden Lion award, but it is one of the most talked about exhibition, a constant stream of visitors every day. In addition, the China Pavilion was not only the participating artists, curators and art critics alike, has also been widespread concern about the foreign media, according to him, including the European Broadcasting Union, the British "Financial Times", "Art in America "etc., many famous foreign media on China Pavilion for the extensive coverage, praised its" full use of venues, "" rich technical content "," fresh poetic, "" a strong culture. "

Central Academy of Fine Arts, one of the participating artists, said Philip P. Pan, China Pavilion's success is due to the taste "filled" theme to make up for the venue space simple small defects, and a sense of pure art of oriental culture and other venues exhibition formed a kind of difference.

However, Peng Feng, said the exhibition is still there unfortunately, too little time and create lack of funding, resulting in some works do not achieve the best results. For example, he said, Yang Maoyuan work "device", was originally envisaged in traditional Chinese medicine packed in jar, free to spectators, so that the "Chinese taste" across the exhibition hall space constraints, filled to the world, but in the end due to insufficient funds, only pottery produced 5000, one day they completed the basic payment. Complete