Recently, Beijing Literary Federation and other units selected TV series "Top Ten writer" high full house, Zou Jing, Wang Wanping, Lan Xiaolong, Jiangqi Tao, Jiang Wei, dynasty column, Wang Liping, Zhang Yongchen, Zhao Dongling so elected. The more the writer calls, try to create a new platform to create a screenwriter and film and television organizations to build a win-win "play market" and "script writing prosperity."
Status -
"Many high-yield digital agency behind the TV drama, fine too."
Currently, the domestic TV production is a year from 14,000 to 15,000 sets, and with the TV drama major industrial countries the United States, said annual production of only 3,000 TV sets. Only in Beijing, every year there are thousands of record television set, but had to admit that behind the high number of annual fine drama only a few, there is a celebration of creative source of deprivation. Well-known screenwriter Wang Xingdong said that, like Zhang Yimou, Feng Xiaogang, are not lack of big stars, mainly lack of good script. It is the lack of good scripts, that has caused more than a replica of adaptation, the original self-less, old stories continue to be turned out, even have been filmed several times. Wang Xingdong said, "It's like the others removed the heavy woven sweaters woven again, in creative discovery is to use someone else's life instead of their discovery."
There are writers that now, the domestic film and television industry for a long time since the writer is loosely connected state, the writers lack of communication channels, lack of communication with related sectors, a large number of hot issues of the lack of professionalism with the regularity of the summary and theoretical exploration . In recent years, caused a sensation such as the effect of the TV series "hidden", "Sword," are adapted from the novel, and professional writers how to successfully put the novel into a nice TV drama has not more research. Many movies and television in pursuit of the ultimate dramatic effect, tend to add some extreme plot, although this can bring some of the ratings, but away from life.
For the writer, the work experience plagiarism, not to sign, no awards, some of the director any changes to the script, filming the scene in some big-name actors such as random changes in the lines of the script writer and do not respect the practice in the creation of the domestic film and television drama has become commonplace . The writer encountered such a situation every time, to go to court it, do not understand, and consumption can not afford the time; not court it, my heart and very uncomfortable.
In addition, while the highest yield we have television, but television production is still in the factory from small workshops to the transition, to write the script by writer's own hard work, hard to be able to write-disabled people, and "desire", "Falls" in screenwriter Li Xiaoming, had two days to write three sets of speed.
Concept -
"Some writers attribute the lack of awareness of the drama, the audience ignored the most basic needs and aspirations."
TV screenwriter industry, although industrial environment facing many to be desired, however, for writers themselves, observe the social world state changes, understand the creative concept of change, it should be every writer's part.
Zou static analysis, in this era of micro-Bo, and perhaps the creation of meaning will be completely different. He believes that television drama literature is literature, it is particularly important in this century, a literary category, like poetry Yuan Dynasty Ming and Qing fiction. "In the 1930s, Lu Xun wrote 'my family room after a jujube tree, jujube tree is also a', and now the blog, the network can not write literature, in order to receive attention, all the text has become particularly sharp, especially sharp. "
Was shot, "desire," "Beijingers in New York", "golden" in Zheng Xiaolong made in the future must be a collective creative drama, drama factory in order to meet the needs of development. "We are now a lot of film and television companies, including television, has begun to attach importance to writers, grab good writer, but even the best can play a few nails? Wang Wanping, high full house, Haiyan year desperately to write to write several episodes ah? Should the whole creation, one with several groups to form a collective creative way, television will be greatly improved, this is a creative idea and pattern. "
Beijing Radio and Television, said Zhang Qiang, editor in charge of the drama, TV ratings and now the industry standard is very different writers, many writers do not do research in this area. For example, actors, writers, directors are first-class "remarry", "marriage is in crisis", "Mother of War", is in the ratings on the "surprise", and with the family drama "Mother of War", "cow House of War ", ratings have been surprisingly good. After a television audience in the audience to do a telephone survey, face to face discussion, found the audience's needs and aspirations gap between ideas and writers: writers always wanted to write complex characters, bad guys have a good side, good and bad side, and evaluation of the audience to see this show is basically "gang blind and hypocritical, Dog Bite Dog a mouth hair," the audience wants is love and hate, and to express sublime mainstream values. Zhang Qiang, that, in fact, viewers watching TV with football, requires a strong love and hate, this attitude applies to all viewing television, often particularly high television ratings in this area are very strong.
Measures -
"In accordance with established laws of the market service system, as screenwriter rights"
Currently, copyright rights to become the most troubled playwright, screenwriter team is an important reason for the loss, the establishment of protection mechanisms for development of the industry writer, screenwriter and film and television organizations to establish a win-win "play market" is the top priority. Beijing TV Artists Association and the relevant legal departments and units integrated together lawyers, the judiciary copyright resources, build service system, to help writers break through the limitations of single-handedly, to promote the writer with writer, playwright with the broadcasters, with the director, screenwriter harmony, reduce risk and create inefficiencies.
Pang writer activist involved in the middle of lawyer said, is committed to safeguarding the legitimate rights and interests of film and television work rights, clean environment for film and television industry copyright protection. In addition to film and television rights of the public service campaign will provide copyright protection for the derivatives of legal services. To carry out film and television industry and with overseas counterparts within the organized exchanges and contacts to participate in the film industry's international exchanges and cooperation in copyright protection, to establish an effective platform for film and television work rights.
Wang Xingdong that the writers continue to improve rights protection mechanism, but "we writers to self, do not copy each other, mutual Duc, with the sincere work put into life, so that first touched their lives, and then moved the audience." Zhang Nan
No comments:
Post a Comment