Chinese Culture News: Been approved over entertainment television episodes from the life and performance (Figure)

"Golden" stills

Today, a variety of full TV screen, but the audience was feeling more and more "TV where my story and the content seems farther and farther away from their own." Some of the drama of the story and characters from the reality, most people can not reflect the true state of life, not to arouse the audience's sympathy and intimacy heart.

Plot and acting out of undue consumption of entertainment

Whether idol, love stories, drama or family ethics, and even some red classic adaptation of the play, ridiculous lines, the details of everywhere. Some teen idols extraordinary drama of the characters are born, well-dressed, out of there cars, into a luxury, not usually seem to work, less learning, and lover of life with all that is noisy, affectionate. Such works on the one hand, "not on the access to gas," seriously detached from real life, the other young people are interested in drama, so forced into a "read swore, cursing another look" of the cycle. However, it is undeniable, the play shows the material luxury, supreme values of love, fantasy life, doing nothing, it is easy to have a negative impact on young people.

War is a recent hit historical drama though its "humorous funny + tragic feelings" style has won a good reputation, but also the audience that the play has many exaggerated detail: the anti-Japanese guerrillas as long as the Japanese understand utter words, nice release on the Japanese set up card; army put a few hand grenades and other Japanese aircraft destroyed. The real war is so easy to do? Viewers have said, "I hope common sense directed attention to the details and reduce the drama of failure."

In some families the ethical drama, less warm affection, human kindness, more of a never-ending conflicts, more and more bizarre story beyond imagination, endless bickering between the characters, female characters like nervous the Sapo, the role of straw men toward violence. And in fact, of course, ultimately, the contradictions of everyday life, but the vast majority is still comply with the plain truth, the teaching of Pinganshifu such extreme circumstances, and by the bizarre story to attract the eye of the TV series, not only do not have much practical significance, will lose the audience's favor, and ultimately harm the television industry.

Impetuous air supremacy widespread popularity ratings

Created for the current TV series that appear in these problems, Hu Zhan, deputy director of SARFT who believe that the fundamental reason is that "some films and TV dramas impetuous attitude," "How much per unit of time to obtain economic benefits for the creation of standards in the pursuit of the creation 'short, flat, fast', do not go deep into life, no life experience. "

Meanwhile, some producers believe that today's drama will be such a problem, because "the ratings supremacy," the concept of harming. To the ratings, in order to attract the attention of the audience, some of the drama of the story with too intense visual impact of conflict and unrestrained earn popularity, driven by production of the other crew to follow suit. Chinese TV Director Committee President Chen Lin said, and now television industry "ratings first" serious, over-produced television market, in order to get good ratings from side to buy film producers have jumped into the "copycat" of the cycle. Kang also said Stone writer, TV market is "only the ratings," is serious, and those who really influential people of the community do not report the ratings of the target population, the television industry, the overall quality of the existing target audience is pulled low, it is difficult to produce greater economic benefits.

TV should be respect for reality and truth reflect the real sense of life

According to the survey, the majority of young people actually looking forward to the performance of film and television work, "80" on the social responsibility to play, reflecting the young self-confidence, tenacity, independence, struggle on the positive side. The movie "Crouching Tiger Hidden Dragon" screenwriter Cai Guorong stressed that "idol must be able to show spirit of the times, let the audience into the inside." He said, "If you can not give a realistic time and space, then the feelings inside idol will make people feel in the air, it is false. "

In fact, all TV creators are clear: life is the source of all literary and artistic creation, the story of life is the greatest television series can be expressed in the script. Producer, screenwriter, director, actor and so should be with their own eyes to close attention to reality, to maintain their own life, sensitive to the social reality. TV should not rely on silk costumes, cars, big houses to attract the audience, by the tragic fate to earn sympathy and emotional entanglements, conflicts with the unrealistic plot to keep the eye, but should be the most close to the real-life scenes of civilian life and sincere feelings between people to impress the audience. Today's society, people can not help but have some psychological distress and mental anxiety, should call a good human drama of love and sincere love between people, promote a positive, healthy attitude towards life, make people comfortable with living of suffering, people living in the trivial from the ordinary to feel beautiful and romantic.

TV critic Chen Wei in the "art of how to improve television's ability to respond to reality," a text analysis, the TV drama "golden", "daughter of the beautiful era" and so long the audience was able to move, because they are "based on the civilian life and to take care of the civilian perspective to reality, "" committed to secular life picture depicts one of the beautiful and refined feelings "," close to people's real. "

As for the specific methods of operation, television director Wang Xiaokang that "the key is to optimize the team, choose a good director and screenwriter, can not know anything are getting into a thick stick; investors to choose a good script, there is a sense of responsibility to choose director. "