"Party Albert" OST "one day" pop flavor of "martial arts" Dou Wei music to please the "fans mountebank"
Chinese film, music alone is not enough points
□ Dong Ming Guo Zhikai
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"Wild in the vagus, totally free body, past bear to scratch ..." reclusive singer Dou Wei for many years, recently borrowed for the film "martial arts" music "came back." He single-handedly built the theme from the song "fans mountebank" make this the bizarre martial arts films on a few more alternative rock feel. Similarly, the recent aggressively "Party Albert" because of a pop flavor of the OST "one day", so this film become more revolutionary romanticism red flavor. With the maturing of the Chinese film industry, the Chinese people are increasingly aware of the film, good soundtrack is to create an essential element of a classic film. And the Chinese audience's desire for the soundtrack masterpiece has been urgent, recently held in Beijing, Japanese music master Joe Hisaishi's music is difficult to get a ticket to prove.
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"Rock Fan children" recent popular Movie
In recent years, Western Hills Chinese pop music industry, such as the date, almost anyone in the entertainment industry in an "abandoned child", tasteless as "tasteless gesture." Draft copies from folk to cover, the emergence of a group of batch is known as the "singer" of attractive men and women, but the real masterpiece of music rarely come out. In this context, China is becoming the mainstay of Chinese film entertainment industry, but added to a number of practical opportunities for people to do music.
If Dou Wei with "martial arts" is the fame and strength back dictates, then the "Party Albert" fancy "Rock Fan child" immediately and then the number of surprising. After all, the past history of such a major revolution in Movies and TV works mostly solemn grand music to heighten the atmosphere. In fact, the "Party Albert" director Han San-Ping, Huang Jianxin not rock fans, they value the immediate and long for the soundtrack of the experience. From the TV series "Fearless" to the film "crazy car" and then called the 2010 Best Original Soundtrack of "Orphan", immediately on film music in recent years, no small achievement.
Why Dou Wei, immediately, Luan tree, desert, etc. Rock Lee's name appears more and more on the film's closing credits? Well-known music critic Jin Zhaojun answer is: "Accumulate. Experienced a rock person, one has precipitated the true nature, and second, there is good music, the three are just normal."
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Movies and music can be mutually supportive
Chinese film has entered the "blockbuster" era, but the producers hundreds of millions of film investment, the importance of music is not enough to invite well-known musicians in film music or a few "blockbuster" patent. Japanese composer Joe Hisaishi is a Japanese animation master Hayao Miyazaki's "Queen's music man", only "Let the bullets fly," and a few other Chinese films please the international master surgeon. The film and television industry in Europe, invited well-known musicians, singers to play the soundtrack of the common. On the one hand the film release party music as a propaganda can be a selling point in attracting more attention before the release, encouraging fans into the theater; the other bands and singers can take to expand their field of film and television work, with the same excellent director cooperation to expand its international influence, and the soundtrack from the movie in a slice. Like U2, Radiohead so often to the big bands on the soundtrack and theme song.
The door movie is modern art, and film by hand, many successful cross-border popular classical music. The most famous example is the French composer Jan Tier Sen, who by virtue of "Amelie" soundtrack renowned. Chinese composer Tan Dun of "Crouching Tiger" by the Chinese music is impressive; musician James Wong of Hong Kong, then to "Strength of Men," the spectrum of songs and melodies, has already become a classic Chinese film. Japanese musician Kitaro, mental state were the "Silk Road", "City of Sadness" and other works by film and television music, has become an unforgettable memory of the hearts of Asian audience.
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Music should be integrated into the film industry rising
Starting from the birth of the film, has been the soundtrack to the highly specialized work. Silent period, the film has no dialogue, no film soundtrack, the music teacher needs to be strong to live piano music creativity to bring the audience emotionally. With the progress of the film industry, features on the soundtrack of the narrative, the United States, Europe and the former Soviet Union have had a different theoretical schools. Most of the music for the soundtrack of the Academy who are sent formal body, with a strong grounding in music theory and performance experience. Italian music master Morricone, John Williams, master of American music, have a strong command of solo and skill, can lead a perfect interpretation of an epic symphony. And like the Cincinnati Pops Orchestra, but the soundtrack is playing the main industry, their performance of "Star Wars" on a number of well-known classical music even more than the classic.
In the film industry in developed countries, the music in the film industry has long been an important part. Most of the soundtrack from the movie shoot began to intervene, according to the composer and the director's intention specialized plot suitable music creation, selection of suitable performance, which will eventually be completed in post-production in the whole creation. Today, almost all European and American films are made specifically to soundtrack music, in time for the shelves before the film release, both played a propaganda effect, but also increased the value of derivatives.
Chinese film, is still a long way to go.
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